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The creative partnership of Bill Drummond (alias King Boy D, Time Boy) and Jimmy Cauty (alias Rockman Rock, Lord Rock), mainly appreciated for their ground breaking dance music from 1987-92, under the names 'The Justified Ancients of Mu Mu' ('The JAMs'), 'The Timelords', 'The Kopyright Liberation Front' ('The KLF'), 'The Forever Ancients Liberation Loophole' ('The FALL'), and post-1992 as 'The K Foundation' and 'The One World Orchestra'. They have also produced other groups, including their sometime backing singers 'Disco 2000', and re-mixed tracks by 'Depeche Mode' and 'The Pet Shop Boys'. Cauty was also a founder member of 'The Orb' which he left, taking some tracks with him which were released under the name 'Space'. After producing critically acclaimed work, utilising cheap sampling technology to its fullest, yet not selling many records (albeit interrupted by a freak novelty world-wide No. 1), they finally found fame in the emerging UK rave scene, and released a string of world-wide hit singles in the 90's, selling more singles than any other band in 1991.
They have also branched out into other forms: they published a book 'The Manual' and planned but never published at least two others and a graphic novel, filmed a motion picture 'The White Room' which has yet to be shown, released an 'ambient video' and planned at least two art exhibitions but never staged them. They are also infamous for various anarchic situationist 'pranks' or 'happenings' which include billboard defacements, a crop circle hoax, a pagan midsummer's ritual ('The Rites Of Mu', see question 4.002), a BRIT Awards protest involving a dead sheep and buckets of blood (see 4.004), a string of strange full-page mainstream press adverts, staging an alternative art award for the worst artist of the year (see 4.005), and they also burned a MILLION POUNDS (see 4.006) and subsequently toured the film of the burning round the U.K. Bearing in mind the wilfully perverse way they conducted their career, the group they share the most comparisons with would probably be The Residents.
But what are the KLF about? One may well ask. This author believes that this is no easy question and any answer he can give will be far too simplistic for what is a very complex concept. On one level the KLF was about a duo of music business veterans who initially used their knowledge and experience to utilise cheap sampling technology later leading to commercial success and acclaim. But then they also conducted this part of their careers in such a way that it challenged the traditional models of the music-business, and even rebelled against them. To anyone wanting more, this author can only suggest they read ALL the material in this FAQ, and examine the WHOLE of the ftp archive and ALL other related literature and material (including the music itself) and then come to their own conclusions.| Back to Table of Contents |